![]() ![]() I included articles about the company, Hugh Hefner, and the original logo development. The story of Playboy is a fascinating one and I left a lot of room to portray how the brand begun and show exactly what it was like when it started. I started the book with a substantial exploration of the history of the brand. Thankfully, the internet is a great resource for finding images related to Playboy (though I often had some explaining to do when roommates found print outs of my “project research”). To do this effectively I knew I would need a lot of imagery. The goal of the book was the tell the story of the Playboy brand how it started, what happened along the way, and why I had to come along and rebrand it. As I mentioned in the last post, most people these days do not read it for the articles, they read it for what you see below, which is the first spread of the book. Speaking of the articles, you’ll notice the title of the book is “I Read it for the Articles I Swear”, the expression I based much of the rebranding off. I can think of no better way to recapture this audacious spirit than by doing something this extreme… Playboy was once irreverent and boundary shattering. While I would like to note that the new strategy was purely a conceptual exploration constructed in an educational environment, I actually do think they might be well served to switch things up this drastically. I noticed that many people were up in arms about the idea of Playboy removing nudity and becoming an all article magazine. I was excited to see that the new logo was as polarizing as it was - I feel like these types of solutions are the most exciting and rewarding for me. I really enjoyed the conversation the first post on this project generated. Everything was created for the Nature of Identity class at the Academy of Art, as part of the graduate graphic design program. ![]() Each student also gave a short final presentation explaining their rebranding and the choices they made along the way. Other than this required content, there was no specific criteria for the book. The final deliverable for the class was a book in which we the explain history of the brand, walk through our rationale for the new identity, explore the process of the logo development, present brand standards and guidelines, and show example brand implementations and extensions. ![]() While it is absolutely the flag bearer of the entire project, the logo development represented a small amount of the work we were required to do for the overall project. If you read the last article, you are familiar with the first part of this project, which was the new logo for Playboy. My rebranding Playboy project came to a close last week with the end of our fall semester. ![]()
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![]() ![]() However they are easy to create and make great gifts for storing little trinkets. Warning Bandsaw Box making can be addictive. It’s on mine, but I hope to have it spread open on my workbench soon.Intro: Bandsaw Boxes Made Easy. If you’re at all interested in making your own tools, you should have this book on your shelf. After talking you through making tools and blade making basics, Wilson also has a section on workholding in which he has plans for a workbench, sawbench, dovetailing workhorse, chisel holders, tool totes and various other shop staples. John gives you the basics, and you’re free to make tools as rudimentary or refined as you’d like.Īside from handplanes (block, chisel, compass, jack, scrub, smoothing and router planes), Wilson also shows you how to make spokeshaves, travishers, a bow saw, scrapers and an adze. He even includes a straightforward process for making your own O1 blades, which I am really itching to adapt to make a set of chisels. While Scott Meek and other makers have really honed the craft, Wilson’s book gives you all the technical info you need to understand the basics – from stock selection to all the key angles necessary for making successful tools. This is just the kind of no-nonsense instruction I love. While I don’t expect to make anything like Scott’s planes right out of the chute (or ever), I did think, “Boy I need to give this another shot.” So when I returned I took close look at a new book from John Wilson called “ Making Wood Tools: Traditional Woodworking Tools You Can Make in Your Own Shop.” You probably know Wilson from his Shaker oval box fame (and here’s a great DVD from Wilson on “Making Shaker Oval Boxes and Carriers”), but he may soon be as well known for teaching tool making. Scott makes some beautiful wooden hand planes – their look, feel and performance is stunning, and there is something about the feel of a wooden plane that can’t be replicated in other tools. First, I spent a little time at the booth of Scott Meek, a furniture and handtool maker from Asheville, N.C. And I’ve built a few wooden, Krenov-style handplanes over the years – I had a fine time and wound up with a few serviceable tools, but for the most part I’ve avoided the bug for obsessive tool making that I’ve seen and often envied in others.īut at the recent Woodworking in America show in Northern Kentucky I revived a little excitement toward making my own tools. I’ve turned hollow mortise chisels into square punches, refashioned chisels and their handles, made a number of scratch stocks, ground steel bar stock into embossing punches and a made a few other quick tools. ![]() ![]() ![]() He says it is time limitated and after the trial period I should pay him 400 dollar. With this emulator I made a LOCKID-File! A guy gives me a file with the name TORO_63A9.hardlock. I have the setup file and read that I have to use TORO emulator. 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Does seem a bit complicated I know, but that could be because I missed something on the Drum Kit set up. If you answer No, then everything goes on one track.Īt least that's how I get it to work. The grooves don't always use all tracks from the mixer. What I found I had to do is create the groove I wanted, then watch the mixer to see which drums, cymbals, etc were being used and then change their routing from the mixer to the appropriate track in Reaper. In the Mixer everything defaults to track 1, at least that's how it works on mine, so for instance the kick is routed in the mixer to track 1, but you need to change that to track 2, (you can use any available track, but I kind of like keeping the tracks in order) and so on for all the tracks. Then you need to go into the MT Drum Kit mixer and route the outputs from the mixer to the tracks created in Reaper. 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